|Poet, Editor, and Co-founder of TLR|
Kelly Davio is the Poetry Editor and Co-Founder of Tahoma Literary Review. She is the author of the poetry collection Burn This House (Red Hen Press, 2013). Her work has appeared in Best New Poets, Verse Daily, The Rumpus, and others. She earned her MFA in poetry from Northwest Institute of Literary Arts, and teaches English as a Second Language in the Seattle area.
1. What was your impetus for beginning TLR — is there an inception story?
My cofounder, Joe Ponepinto, and I worked together for some years on another journal, I as managing editor and Joe as book reviews editor. When we both moved on from that project, we knew we wanted to continue to work together in some capacity, and we kicked around a number of ideas for what our next venture could be. We had no desire to simply add another literary journal to a world that's already teeming with magazines. Instead, we wanted to address what we see as a hole in the literary marketplace; when we took the time to really listen to writers' wants, we heard that people were looking for publications that pay writers, and for more fair and transparent editorial policies.
2. Now that the first issue has hit the net and the physical book shelves, what have you learned about this endeavor that surprised you?
But we've had some great surprises, too. We've been overwhelmed by the positive response writers and readers have had to our journal. The number of submissions we received for our first issue exceeded our expectations, and we've been equally surprised by the number of readers we've garnered for this issue. We so often hear that "nobody reads journals these days," but in the one month following the issue's release, about one thousand people have downloaded or ordered a copy of the journal. That tells us that, yes, there is a readership for great literary writing!
3. I love that you’ve set-up a structure that includes paper and on-line formats. What was your thinking on this?
4. The transparency with which you’ve set-up your journal is impressive. Has that caused problems with writer friends that you do no solicitations? How have you handled that?
5. I’m assuming TLR is a labor of love and the funds you receive go out to the writers. You are volunteering hours of your time that you could be writing or sleeping or hanging out with a friend. What motivates you to do this work?
TLR is definitely a labor of love. We hope that one day, each of our editors will receive some a monetary compensation, but for now, we're happy to put the publishers' share of TLR's earnings right back into payment for writers. Even though we are a journal that is dedicated to paying our writers--not because we're setting a monetary value on art, but because we believe art should be valued in our culture--Joe, Yi Shun and I don't do this for the money. We simply love good writing, and we love writers. We want to showcase great work from a genuinely diverse range of writers, and we want to help artists to grow their careers. Making connections with writers and helping their work find an audience is tremendously rewarding, and we hope to be doing this work for years to come.